Showing posts with label shoreditch. Show all posts
Showing posts with label shoreditch. Show all posts

Thursday, 10 October 2013

Sound InPhotos: Yearbook, I Saved Latin and Luke Godwin @ CATCH


The mighty Yearbook took on Shoreditch's CATCH bar in north east London last week with support from I Saved Latin and Luke Gowdin. Promoting their new single I Could Be Anyone (below), they were fresb, tight and loud in true rock'n'roll style. Having supported a host of incredible acts over the last year including Scottish rockers The Xcerts, Yearbook are finally ready to step into the limelight themselves and that time can't come soon enough.
Here's the photoset, taken by Braden




Monday, 21 January 2013

Sound InSession #1 Pt2: Yukon

Earlier today we told you the story of how it came to pass that Sound InSession was born. I'm sure you remember; if not, don't worry it wasn't very interesting. In short, Woodpile Sessions and Sound InSession have been born and married at the alter of filming live music and we got Yukon along for the ride for our very first attempts.

Once we departed the tube (going to the tube in the first place may have been a little overambitious for our first attempts), we took the trip to Brick Lane and Shoreditch with Yukon, a first time visitor to the country. He then graced us with two more tracks. The first, I'm Sorry I'm Such An Idiot was filmed in the construction of 8 Bit Lane by Rough Trade and the second, a cover of Oh No Oh My's I Painted Your House was taken upstairs at Shoreditch's Box Park. Next time, we're planning this better.




Thanks to Yukon for playing for us and being such a good sport as we showed him around London.

Monday, 5 November 2012

Tall Ships & Tellison @ XOYO




This summer, you may recall we went to 2000Trees. One of the best small festivals on the circuit, its brilliance was only dampened by a literal river of mud cascading down the main path through to the arena area. Of course, for many this only heightened the experience and it must be said that the steamy interior of the tent stages wouldn’t have been so atmospheric without insane (mostly bearded) men surfing over other, equally muddy punters.  The warm up night of 2000Trees brought two of the three best sets of the weekend back to back from Tellison and Tall Ships. The duo triumphed with some huge sing-alongs and a heck of a lot of wet dancing fans.
Tellison
In many ways, tonight is not like this one. We’re not in a field, it’s not raining and sadly its late Autumn. The wellies have been left at home and instead of Cheltenham, we’re in a Shoreditch basement. One thing remains the same though. Tellison, followed by Tall Ships.

First we’re treated to the Norweigan sounds of Dad Rocks! A singer songwriter by trade, you’re won over by the charm of the small supporting cast that includes a double bassist and trumpeter. The vocal harmonies channel a very classic sound, whilst the melody resembles that of one somewhere between Ben Gibbard and Sparky Deathcap (and that’s a high plaudit).

Tellison come on with some bombasity, opening with standout single Edith Wharton and barely stopping for breath as they rattle through indie-rock belter after another. The re-release of their debut album Contact! Contact! coming up sees tracks such as Gallery greeted with new invigoration whilst last year’s follow up; The Wages of Fear tracks like Say Silence and slow single Freud Links the Teeth are greeted with cheers and chorus sing-alongs. Not a bad response for a support act and so far, 2000Trees is matched.

Tall Ships
As Tall Ships take to the stage, its still not raining or muddy indoors but as they set into staple set opener T=0, sonically it’s the same. The Sussex trio’s live soundscape is a formidable one and one that whilst hugely energetic, stays true to the sound of their studio work. Convenient too, as their debut album, Everything Touching is one of our favorites this year. They play mostly from it an as tracks such as Best Ever, a new tune to the Tall Ships artillery blend in with more well known tracks like the re-vamped Ode To Ancestors you understand how the record took so long to make. The diversity in sound goes from a math-rock element in Chemistry (lead single from their debut EP) to a more dance oriented sound on nine minute set closer Murmurations. Its something to admire and whilst those present tonight are hardly dancing to the point of crowd surfing, you can’t help but feel that Tall Ships go from strength to strength as they mature. 

Braden Fletcher