Showing posts with label Born To Die. Show all posts
Showing posts with label Born To Die. Show all posts

Sunday, 12 February 2012

Why has Lana Del Rey got the feminists riled up?



In ‘A Room of One’s Own’ Virginia Woolf stated that ‘it is fatal for a woman to lay the least stress on any grievance; to …in any way speak consciously as a woman’. Over 80 years later there is still something shockingly relevant about the statement, particularly in relation to a music industry where pop stars, especially female ones, are torn apart for any perceived fault or misconception, even if it is trying to be anonymous. The unavoidable recent example of this is Lana Del Rey: pop star, feminist icon and fraud, all rolled into one.

Lana Del Rey has unwittingly managed to expose everything that is wrong with the music industry, if you’re a woman. Whole album reviews have been a dedicated discussion from whether she’s undergone surgery to get ‘those’ lips to whether she’s a record company construction, who’s duped all the indie darlings into thinking she’s an incredible pop chanteuse. But everyone seems unable to perceive how fatuously irrelevant the discussion is. It’s indicative of the culture we live in that we have to minutely analyse and dissect every pop star that comes on the scene.

Unless they’re male. I could list pop stars (and celebrities in general) who have been massacred by blogs, tabloids and gossip magazines. But curiously, they’re all women. I can’t think of a single example of a man being criticized for not wearing the right clothes, not being the right size or for possibly being manufactured by a record company. Look at everyone from Jay Z to Ziggy Stardust (Bowie’s manufactured alter-ego). They haven’t received the same backlash because they used to be plain, old Lizzie Grant from New York. It might seem incredibly cynical of me to blame the anti-Lana Del Rey movement on sexism within the industry, but it’s equally as naïve to assume that the sense of universal disdain Del Rey is prompting is due to a dislike of her music, when clearly her record sales and youtube viewing figures can’t be based on her infamy alone. 


  
It is not a prerequisite of pop music to be original or to be authentic. Part of the attraction of pop is a chance to escape from reality, to be taken in by a persona. As Sasha Frere-Jones eloquently put it in the New Yorker “why is pop music the only art form that still inspires such arrantly stupid discussion?” The obsession which grips the music media is unconstructive to not only assessing the music, but upholding these pop stars as role models.

It is time to end the blatant objectification and unfair criticism of women in the music industry. People who have been criticising Lana Del Rey for being manufactured and unnatural should maybe consider a world where women weren’t targeted with abuse because of the way they portrayed themselves in the media light. Maybe in that world we would see more female pop stars willing to be themselves instead of hiding behind the mask they are criticised of wearing. 


Jessy Parker

Friday, 27 January 2012

Lana Del Rey - Born To Die

'I would wait a million years’ Del Rey said on Blue Jeans. It feels like we’ve been waiting about that long for Born To Die since the hype machine churned out story after story, both degrading and heralding the 25 year old New Yorker about the longevity of her music and her physical attributes, but that’s another story. Pouting her way through live performances and interviews, she owns the most talked about lips this year and plays up to the whole doe-eyed innocent act which has made people fall in love with her and appeared on so many magazine covers already in 2012. Labeling her music at the start ‘Hollywood sadcore’, Video Games certainly adhered to this with spliced footage of old Hollywood and her emotive vocals. Ever since its release, there’s been constant talk about whether the album will live up to one of the best songs of 2011.

Perhaps to please fans, the first five tracks of Born To Die are ones we’re already familiar with. Whilst Off To The Races, Born To Die, Blue Jeans and Video Games stay untarnished, Diet Mtn Dew receives some production adjustments; sprinting through the song and giving it a rather callous nature as the intro is a chorus of discordant vocals that sound as pleasant as nails down a chalk board. More often than not, artists tamper with perfectly good songs, make a right mess and end up with something less aurally pleasing than they started with. Although, there’s no doubt that standing alone, these are strong songs but hearing them together consolidates just why Lana Del Rey has become so popular over the past few months.

Standout ‘National Anthem’ incorporates the two styles Del Rey switches between for a patriotic anthem. Many photographs of Lana Del Rey show her flaunting her patriotic nature, whether that is by saluting in front of the American flag or wearing a baggy sweater with the American flag on it so it was only a matter of time until she transferred this into song. You can hear the 4th of July fireworks fizzling and crackling in the background as the sweeping violins, that sound eerily close to those on The Verve’s Bittersweet Symphony, foreground and then quickly switch to a hip hop beat as Lana half raps, half sings, reminding us that she ‘grew on hip hop’. She epitomizes the corruption of the American Dream as she asks ‘Money is the anthem of success/so before we go out, what’s your address?’ hinting that where you come from reflects on your wealth. What on the surface is a catchy ode to America is actually rich with dark and sexual themes. The subject of money and sex having a close relationship is also the clearest here as she sings ‘Money is the anthem/God you’re so handsome’

In the second half, Lana swaps chiming orchestral elements for brash drums and high pitched bratty pop vocals. As a whole, Born To Die has an early ’00 pop vibe to it and parts sound like a mix between Nelly Furtado and Gwen Stefani but unmistakably there are resemblances to older artists such as Nancy Sinatra and the cartoon Jessica Rabbit. There are a lot of points on the album where the instrumental sounds borrowed but you can expect that from any pop album nowadays. Already developing into a major artist on the strength of her first two singles alone, Born To Die will push her further into the spotlight. The only question is whether she’ll thrive or squint her eyes and hope for a moment of darkness.

8/10

By Aurora Mitchell

Tuesday, 3 January 2012

Lana Del Rey - Off To The Races



In the lead up to Lana Del Rey’s debut full length ‘Born To Die’, she has released Off To The Races as a free single on iTunes. Following in the footsteps of the likes of Drake who released free tracks before the release of Take Care, it’s becoming clear that you can achieve success as an artist and in The Weeknd’s case, his whole career has been based upon the release of his trilogy of mixtapes that have set him up to be the next big thing.

With the huge success of ‘Video Games’, everyone’s breath is baited for each step Del Rey makes in her path to success. ‘Off To The Races’ is an entire world away from the aforementioned hit and takes a dominating role instead of commenting from a sulky corner of the room. As usual, she lets her male subjects take the spotlight as Del Rey quickly comments that ‘He has me by my heart’. But instead of indulging in 5 minutes of sad musings, she turns on a fiery edge as the vocals are harsh, a contrast to the doe-eyed innocence that she switches to for the chorus. ‘Off To The Races’ takes it up-tempo with a heavily produced drum machine beat but keeps the atmospheric orchestral undertones that have taken a more central role in previous songs. It’s beyond the stage of speculation on plastic surgery, her previous music venture and whether her career is PR fuelled and has turned into genuine adoration from fans and a heavy weight of expectation for her debut since there are many who would be happy to watch her fall flat. 


By Aurora Mitchell