Beacons Festival '13

Imagine a festival with a stellar line-up of bands and DJs, a festival that's also passionate about cinema, art and good food...a festival where not one idiotic cry of “ALAN!” “STEVE?!” is heard all weekend. That festival is Beacons and Beacons is perfect. 

We spend Thursday night dancing to The Cribs and Sweet Female Attitude in The Social tent and watching the harrowing film The Arbor in the cosy Into The Woods tent. The Into The Woods tent was part of The Space Between – the art space at Beacons and was definitely one of my favourite attractions at Beacons. You have to take your shoes off to get in and can lay back and relax on huge beanbags. Perfect for winding down or killing time before bands in the morning! The Space Between also offered Q&As with director Shane Meadows, screen printing, lectures about the brain, flag making, aura reading, giant scrabble and a Beacons Boutique that offered up delicious cake and face painting.

Friday's festivities begin with Big Deal, a denim clad dreamy duo who treat the crowd to laid back, summery shoegazy pop songs that ease everybody into the next 3 days of partying. To counteract the lovely Big Deal we head on over to the excellent You Need to Hear This stage to witness an excellently gloomy set by Esben and the Witch. Rachel Davies leaves everyone captivated with her haunting vocals and impeccable bass playing. They play an intense set that ends with a 10 minute wall of sound that could rival My Bloody Valentine's. We head on over to The Social for a fancy dress dance off  where the prize for the most amazing, mind blowing disco dancing is free Beacons tickets for life!
Friday is also fancy dress day at Beacons and with the theme being “Frontiers of the Future” there are some amazing outfits including a robotic looking lady with three heads and a man covered in silver paint. The atmosphere is excellent and the dance off provides a lot of sassy dancing to Got to be Real by Cheryl Lynn and a lot of laughs.

We're faced with a Bonobo and Fucked Up clash on the Friday night but after sidestepping to half of Bonobo's brilliant set we head on over to Fucked Up as we're more in the mood to mosh about. Frontman Damien Abraham has crushed a tinnie into his head. And he's styling it out and rocking it as if he's attending a wedding and the can is his jaunty little hat. Damien creates an amazing atmosphere and spends the whole set on the barrier hugging the crowd and shouting in their faces. We leave the tent chanting “dying on the inside! dying on the inside” and spend the rest of the festival wishing we could see them headline the You Need to Hear This stage every night.

Saturday brings such delights as Melody's Echo Chamber. Melody's Echo Chamber play a perfectly psychedelic set with amazing visuals. Singer Melody Proche is incredibly sincere and thanks the crowd about 20 times in-between crooning over dreamy pop that's been crafted with a little help from Tame Impala's Kevin Parker to create something beautiful. We end Saturday evening with Gold Panda. The Loud and Quiet stage is packed out and the crowd erupts into madness as soon as “You” begins playing. Dancing our feet off to Gold Panda's amazing set, complete with funky dancing from the man himself, is a brilliant way to end the night.

Sunday afternoon brings Sky Larkin! We expect catchy indie pop from the Leeds natives and catchy indie pop is delivered with old songs still sounding fresh and new songs sounding very promising. Beacons does a brilliant job at showcasing Yorkshire's excellent music scene as the next band we witness are Hookworms. Hookworms play their epic songs, that almost all clock in at over 6 minutes, very, very loudly. Singer MJ's vocals are barely heard above all the scuzzy guitars but he yelps and jumps all over the stage. Hookworms are loud, enthusiastic and put on a damn good show. We're also very excited, giddy even, because Danny Brown is the next act to grace us with his presence and he's the one we've been waiting for all weekend. 

Danny Brown is one of the most exciting and interesting names in hip hop and, accompanied by DJ and producer SKYWLKR, they put on a rowdy show that does not disappoint. When Danny decides to join the crowd for “Monopoly” he gets mobbed by sweaty bodies shouting along to every single word. Danny Brown was the absolute highlight of Beacons. We end Sunday night with Savages and do not regret it at all. Having never heard them before their raucous live show was a surprise and a highlight of the festival. Frontwoman/intimidating force of nature Jehnny Beth prowls around the stage looking like Bowie in his Thin White Duke phase. The intense vocals teamed with the lightning fast drumming creates a mind blowing sound. Savages are scary and sexy and everything I could want from a post-punk band. 

The festival overall had an amazing atmosphere, everyone was friendly, every band that I made an effort to see and every band that I stumbled upon was brilliant in their own way and when it was all over on the Monday morning we definitely all wanted to stay another night in that field in Skipton rather than return home to hot water and a comfy bed. Beacons 2013 did not disappoint and I cant wait to see what it brings next year.

Words by Eden Young and Photos by Sandy Rushton

Live at Leeds '13

The 1975 at Live at Leeds

Sound Influx started Live At Leeds 2013 with a visit to The Wardrobe on the Friday night to catch Bearfoot Beware and Wet Nun’s sets. Although Bearfoot Beware entertained, it was Wet Nuns who really impressed. The duo created a sound of a volume seemingly beyond their means. That sound was full of huge riffs and thunderous drums, and boy was it LOUD. Their blend of lo-fi blues/punk really must be experienced live to have its sheer power appreciated fully.

Wild Swim

On the Saturday, it was a long walk to the Brudenell Social Club (buses/taxis are cheating, apparently) to catch the end of Wild Swim’s set. Their emotional songs with Wild Beasts style keys and vocals were certainly worth the walk, especially closer ‘Echo’. Next, to the Faversham, where Swiss Lips’ energetic set surely won them some new fans. The band’s sugar sweet vocals, synths and drum machine beats are easy to hate, but after seeing them live, this cynical view might just have changed for some. The Manc popsters really did bring a fun atmosphere, and live, their sound is just much less, well…annoying. One band who didn’t need to convince anyone was Dinosaur Pile-Up. The local lads certainly know how to whip up a crowd and there were circles going from early in the set. But my god were they loud. Loud is to be expected and anticipated from this band, but ears ringing four hours and the lasting regret of forgetting earplugs isn’t. This was a bit of a shame as it meant the set wasn’t as enjoyable as it could have been.

Swiss Lips

After a break for burritos (the ultimate festival food, probably), we got ourselves to the Stylus to see the fantastic MØ, who’s energetic stage presence combined with infectious pop songs made for a really great set. The use of projections as a backdrop was a nice touch, adding an extra dimension to the show for those at the back. ‘Pilgrim’ and ‘Glass’, with Singer Karen Marie Ørsted prowling the stage in a leopard print bomber jacket. From one definite highlight of the weekend and straight on to another, I managed to get to the front for Savage’s set. That renowned intensity wasn’t hampered too much by sound difficulties with singer Jehn’s mic. Once these problems were fixed the launched into a full on rendition of ‘Shut Up’, and there’s probably some irony to be found in there somewhere. The rest of the set, with rumbling bass, punchy drums and, of course, Jehn’s fierce, intense vocals made sure that savages’ performance stayed in my mind for a good long while. They scared and thrilled in equal measures and SI loved every minute.

Dinosaur Pile Up

After getting slightly lost, SI managed to arrive at the beautiful Holy Trinity church in time for Sóley’s sound check. Her set was beautiful, even despite a quite impossibly loud argument breaking out halfway through, which left a slightly awkward, embarrassed atmosphere lingering for a few songs. However this went away as throughout the rest of her set Sóley created such beautiful, haunting songs which had the audience in a sort of hushed reverence, befitting the church setting. ‘Pretty Face’ and ‘I’ll Drown’, with its echoing, sampled vocals, were the highlights of a truly captivating performance.

Embers were a last minute addition to the line-up, and although they clashed with headliners The Walkmen, they were un-missable, as a band who have played too few shows since they first burst onto the Manchester scene. And they didn’t disappoint, creating huge, reverberating songs that filled the tiny, boiling Nation Of Shopkeepers from wall to wall. It may have been the walking, or the heat, or the lack of sleep, but SI may have found ourselves getting a little emotional towards the end of their set. Embers’ blend of shoegaze and post-rock is immensely impressive live, and SI implores you to go and see them.

After realising that I had missed ‘The Rat’, SI is ashamed to say that we left The Walkmen’s set early. A whole day of intensive band watching, walking and getting lost in Leeds had taken its toll and we needed a bit of a sit down. As the Stylus was packed (and rightly so) for The Walkmen, we wandered down to The Mine to Watch Sky Larkin. To end the weekend with a band who have been a part of the Northern music scene for many years seemed fitting somehow, and was really quite special. It seems they have only got better since we last saw them all those years ago.

Live At Leeds, though exhausting, was a thoroughly fantastic festival with a great atmosphere. And, for this writer, who had never been to Leeds before, it also proved a fantastic tour around the city and some of its impressive venues. The only downside was missing so many bands due to clashes , walking or both. Honourable mentions go to The Crookes, The Staves, Micky P Kerr and King Krule. We’re sure that there’ll be plenty of opportunities to see this lot soon though. Roll on Live At Leeds 2014!

Words: Holly Read Challen
Photos: Braden Fletcher

Savages - Husbands

It’s hard to believe that this is only Savages debut single due purely to the amount of buzz they’ve been attracting recently. Hailed as “the ones to watch” by a dozen music blogs, clearly a lot of people think this London four-piece are good and this single certainly proves them right.

Most noticeable about this song in my opinion is lead singer Jehnny Beth’s voice, which is reminiscent of legendry singers such as Siouxsie Sioux, particularly the way she varies her voice between eerie warbles and plain bonkers shrieks and whispers. The song itself is ferocious, the drums and guitar seamlessly relentless, rising and falling before reaching a crescendo where it all comes together. Despite lasting 3.03 I found myself disappointed to find it had ended so soon, leading to me playing it over and over again, just to feel the exhilaration that the song gave me. If this is Savages first attempt, then I am most definitely looking forward to things that are yet to come.

Listen to Husbands here via soundcloud

Grace Barber-Plentie