Though not a huge departure from the original in terms of melody and structure, by putting the emphasis more firmly on the deep drum pattern (and by giving it a stronger 2-step feel) the whole thing becomes at once more beautiful and miserable. The vocals no longer take centre stage, but they feel like a more cohesive aspect than they did in the original, which relegated them to being a dampener for whenever the beat’s warmth threatened to push through and spoil all the fun Romy and Oliver clearly weren't having. If nothing else it’s a pertinent reminder that Jamie xx, for all the talk of his significance to the group, operates far better when he’s off in his own little world.
Ned Powley
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